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Volksworld
Issue: 01/12/2008
New Scientist
Issue: 29/10/2005
Ref: NS291005
Availability: 7 in stock.
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No.2523
By welcoming birds and animals into the towns, are we offering them a comfortable new niche or luring them into a trap? New Scientist investigates
You want a quantum computer? Then prepare to fight off the ultimate in malicious software
Why do we find beautiful markings on animals that just hide in the mud. It seems that nature's extravagance knows no bounds, says Philip Ball
Creativity special: Never give up
Solving a tricky mathematical problem is a bit like supporting a mediocre football team, says Timothy Gowers
Solving a tricky mathematical problem is a bit like supporting a mediocre football team, says Timothy Gowers
A sudden compulsion to write gripped neurologist Alice Flaherty - her hypergraphia transformed her approach to mental illness and creativity
What on earth have cubism and relativity to say to each other? Far more than you might think, as Arthur Miller explained to Amanda Gefter
We can all be more creative, so the experts claim. But how? We asked 10 novelists, artists and scientists for their secrets
Where does creativity come from? What makes one person more creative than another? Helen Phillips finds her muse in brain anatomy, mood swings and down time
Why are some places more successful than others at encouraging creative, economic growth? Richard Florida identifies the key factors
It is hugely challenging to use a computer to model human creativity. The task has caused Douglas Hofstadter to ask himself some tough questions
As fast as it builds things up the universe is busy tearing them down. What lies at the root of this seeming contradiction, asks Paul Davies
What do artists go through when they create, and does the process change them? We ask leading songwriters
A sudden compulsion to write gripped neurologist Alice Flaherty - her hypergraphia transformed her approach to mental illness and creativity
What on earth have cubism and relativity to say to each other? Far more than you might think, as Arthur Miller explained to Amanda Gefter
We can all be more creative, so the experts claim. But how? We asked 10 novelists, artists and scientists for their secrets
Where does creativity come from? What makes one person more creative than another? Helen Phillips finds her muse in brain anatomy, mood swings and down time
Why are some places more successful than others at encouraging creative, economic growth? Richard Florida identifies the key factors
It is hugely challenging to use a computer to model human creativity. The task has caused Douglas Hofstadter to ask himself some tough questions
As fast as it builds things up the universe is busy tearing them down. What lies at the root of this seeming contradiction, asks Paul Davies
What do artists go through when they create, and does the process change them? We ask leading songwriters
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